

If echo and reverberations are resolved, they are also located at the speaker plane.

We perceive it at the speaker plane, spread laterally between them and receding backwards (if it has depth). Most of us own dynamic speakers which don't normally project the soundstage forward into the room. Principally, it's arriving from the stage, but several of the room's boundaries may be contributing (the bounce from the side and rear walls, maybe the ceiling and floor as well). When listening to unamplified acoustic instruments in a good hall you sense the sound coming from all around, it's immersive. There are many reasons for this: the sense of presence for one. While acknowledging modern audio systems can be quite good, they quickly proceed to spoil the fun by adding it's still not like being there. (Give them a day with music signal and they get even better.) I had forgotten the many ways that FA wires distinguish themselves from the pack.Īudiophiles don't often discuss it, but classical concert-goers are more vocal. Immediately, even before adequate burn-in, Lynn was all smiles.

So it was amazing and a testimony how fast that profile resurrected when the newly arrived Armónico Ethernet Cables were installed. It's difficult to retrieve what you can barely describe in words because sounds are not stored in long-term memory. Already, their sonic profile was receding. The last of the Fono Acustica cables had been sent back about six months ago.
